The Island

On a warm Wednesday I went to Ellis Island alone. That morning I poked the yoke of my husband’s sunny-side-up, and burnt his toasts on purpose. On hands, on knees, on chafed discontent, I crawled all the way to Miss Liberty’s crowned head. I’ve often had dreams like this. Blue veins of oceans pumping salt-water into my wounded canoe. I shall never make it to her alive, I’ve traded my paddles for the low simmering kettle expectant of boiling so I could thaw this damn chicken for the dinner party where I shall be red-lipped, high-heeled and properly elusive. But I shall never make it to her alive, not this moment when the jungle-red sun has been hushed, and my soapy hands are clasping the soiled collar of an ill-fitted and tedious shirt with such stubbornness. I scrub it into moonrise whiteness, so white that I could almost start over in my weightless sleep. My dream takes me to the island – the stone – lipped woman married to the hands of the mason who sculpted her into perfect stillness. I touch her bare petrous toes, they are cold as my own. She is close – so close that the burning torch in her hand could almost be mine.

 

Originally published in Sweet Tree Review, Winter 2016. 

The Great Pine In Our Land

Between sunrise and bedtime,
everything is believed and therefore
blessed. I come from a bleak land
where the sun never lingers
long enough for us to trust
the open arms of darkness.

Sometimes night comes so fast,
like galloping steeds bearing shadows,
that children forget hunger
and kneel down to pray

around the towering great pine
in the middle of our land where
an old man hums a tune as he
gives his faithful dog a piece of three-day-old
bread. The pigeon comes and snatches it away
from the old man’s palm before the dog
could open its mouth.

The scene repeats itself when fish is absent
from the oceans.

Repeats itself when roses are unreturned
to the gardens.

Repeats itself when the dog remains hungry,
and the pigeon fattens by flour and stolen glory.

And above the circle of our praying children,
the scene repeats itself in the obedient bones
of our fathers, in the yellowing skins of our mothers,
and in the collected debris of our patient existence.

And it won’t stop repeating itself
until the distance is undone
by the lifetime of a poor laboring snail;
until it’s sunrise when everything is believed
and therefore blessed.

The old man, sitting under the great pine
in the middle of our land, never stops
giving bread.

The Pathos of An Attic

I rarely go up there anymore.
Too many shards and tatters
jutted out, like an obtusely ill-grown tooth
scraping the membrane
of my tender memories.

Those days were young
like an unbroken promise, we sat up there
together in a great chair that could fit two,
with a book of fables that never rung true.
Our kisses went on under July’s sunlight,
against all possible endings
and the moon.
Quiet ripples of endless summer nights,
and her dress was drenched in sweet wine.
She was made of ringlets of laughters,
made of the scent of an apple orchard.
She was made of all good things
that slipped through my fingers.

I rarely go up there anymore.
Why would I?
To sit in that empty chair,
and gather pots of dirty daffodils?
To read those moth-eaten letters,
and utter sentences with no arrival?
To be scolded by that cranky old piano
desperately missing her touch?
Or to be drowned yet again in the immense silence,
still more immense without her?

All day I rummage through the other parts of the house –
the den’s nose, the kitchen’s fingertips,
the bedroom’s tear ducks.
All day I rummage through my body
for a sad corner, for a cigarette,
for a blue dream without her presence,
until the attic is as far as she is to me,
a distant nebulous star.

At nightfall, I sit upon the broken staircase,
palms dusty, sorrows over.
The wind quickens to a new horizon.
I see myself forgotten.

I love her still among those shredded things.
But I rarely go up there anymore.

 

Originally published in Visual Verse, Vol 02 – Chapter 12

How To Cross A Bridge

At four thirty I stand at the end of the bridge
watching my daughter descend
from the yellow school bus.

We begin our journey home
as the sun leans wearily to the west.
Her schoolbag is painted with funny daisies.
Inside there are many unanswered questions.

It takes three hundred and four steps to cross this bridge
to our white stucco house with a wooden swing.
She likes to go higher and higher, my fatherless daughter.
My own father left me on a cloudy day in the winter.

I often ask my daughter to count her own steps home,
but she rather skips and hops and says hello to the ducks.
I think about whether her eyes will grow
into a deeper blue like her father, as I often think about
these small and inconsequential matters.
Was it calla lilies that I carried
on my wedding day
or did I lay them down
on my husband’s grave?

As my daughter begins to run, her shadow
tearing away from mine, my terrified limbs
give birth to a butterfly. One hundred and twenty-one steps,
or is it one hundred and twenty-five?
God please help me go back to zero before all my sadness began.

I want to know what makes my little girl come back
to hold my hands as if they are her own gloves.
I want to remember the way she looks at me,
like how she would look at a dying deer,
with eyes like two blue stars
from the vast universe shouting to me,
mommy, mommy, don’t be afraid.

 

Originally published in Mouse Tales Press in September 2016.

Sylvia

She lay afloat, nakedly undulating
like a great maternal vessel.
Mother of the black corals.
A blinking eye, a quickening vein.
Hope was a mere pinnace to her greying ribcage.

She gathered death like she gathered water
around her wooden body.
Many have capsized this way.
Many who asked for roses got only thorns.
The leviathan approached her at midnight.

At dawn the light was soft like an unspoken wish.
Her hair grew heavy, her eyelids turned to a shade of blue
colder than the north star.
She opened her fists in the pummeled water.
Evergreen terrains stretched by her palms’ end.
Someone awaited her arrival.

The sea never ceased. With great power
it piled waves upon the hardened shores,
as heavy years piled upon the back of a defiant silhouette.
Forever bent but never broken, an ineffable wreckage.

From her sodden cartilages,
we collected things she once loved –
mushrooms and sows, skeletons and stones.
However ugly, however cold.
Our dearest smiling in her own shadow.

We buried everything in the moistened earth – those things,
melted lamps, fish bones, and the fat purple figs
fallen by her toes.
What was left from her pink knuckles and pretty smiles,
sewn together, became the map of a new voyage.

Then on a quiet night like this, her aroma suddenly came
from the norwegian sea, icy yet sweet like a comet.
It travelled through the branches of the moonlit laurels,
through the foliage of fond memories,
through the fingers of the solitary poetess,
through her burning artery, through her ardent hopes,
to the words as yet unborn
from her trembling lips.

In memory of Sylvia Plath

 

Originally published on October 8th, 2015 on my old blog. 

Seasons

By the end of summer,
my breath hangs in mid-air,
pale, slow, and full of watermelon seeds.
Days grow impatient, hurrying into deep valleys
of dead fireflies, damp and iridescent.
I grow cold and silent.

Autumn gains momentum. Everyday
somber bells toll for the march of wheat stalks
in the golden field of over-ripened hunger.
The pregnant pumpkin, greatly confused,
gives birth to a shivering life
vague in meaning.
Things return to order –
plums dead, birds nameless, fingers callous and lovers over.
Yet the scent of wet lavenders
from faraway corners
stirs up curious whispers. But oh,
don’t be silly, summer is over. Listen-
here come the violent gallops of
winter, invincible as god’s plan.
Its weighty hooves punch through the ashes of man,
through the leaves of a dead autumn, through
the cries of a grey lone wolf, through grooves of sorrows,
until nothing falls to the hands we raise up.

I, of withered spirit and hardened veins, retreat into
my vanished self, gathering silence
upon more silence, to my unanswered questions:
why do sprouts turn to flowers,
then back to weeds;
why do children grow tall and brave,
then bald and afraid.
Why do we cling to what life can not give back?
This infinite circle, and this disillusion
of death and nothingness,
like two star-crossed songbirds,
shall forever lament upon our sordid graves.

When the seeds of the past take root, spring
from earth a quick sensation – vicissitudes of seasons
kick open the fat belly of discontent, palpitating
with springtime urges.
It pleases me so much to see
the colors of hydrangeas descend from the sky,
as I sit here by my open window,
unwinding the yarns of a melancholy mind.
There is a young child in my garden
petting an old dog of a nameless collar,
rosebud cheeks against a wind-beaten tail.
How my heart begins to flutter,
breaking loose in that original spasm,
as I see fireflies
spring up from the child’s fingers.

 

Originally published on October 4th, 2015 on my old blog.

Fall’s Kingdom

On the first day of your claim,
a newborn raises his fist to the faraway trumpets
sounded for the triumphant return of October.

A league of white doves, oracles from the east,
adorn your royal robe with rain-soaked wreaths.
Before the trembling days and the darkened horses,
there are rivers, bright stars, and you

of pulpy lips and fecund breasts,
from which milk of nacre flows,
and fattened squash tumble down
into the palms of our arid endurance.

Your hair is golden as the maple leaves;
your breath is the scent of an apple orchard;
your earlobes, sweet
as the ripened grapes hanging from heaven’s vines,
have been kissed and kissed
by the doting peasants.

On your brow rests the throne of a butterfly,
dignified and full of sunlight.
Those beating wings reign over your vision.
We shall never despair.
We shall never die for want of another lilac
for as long as your courage perseveres.
The hapless take refuge under your sleeves;
the unworthy flee like indignant black moths.
Only one remains. Only one remains.
He is the great oak beneath the harvest moon.
As he bows to your grace, acorns fall to their deaths,
a season’s offering, a tribute to your life.

Your Kingdom.

 

Originally published on September 20th, 2015 on my old blog. 

The Tavern

At the edge of an atlas,
by the border of desert cactus,
stands the lonely tavern.
An unhinged door, moth-eaten lanterns,
and chock-full of dirty feathers.

The sky is a piece of dry cloth.

You move through a generation
of peanut shells.
Abandoned cocoons
fossilized in amber lamplights,
childless, unmoving.

The tavern’s usual patrons
travel from one end to another
in the hourglass’ desert, sifting
through god’s thinning fingers
between each dissipating hour.

The barkeep settles your tab,
five full tankards for five full lies.
There is no salvation for the dried-up souls,
only rum and gin and
an apple

for the the drunken crow.
With a pair of blotched wings,
it flies to the fevered moon, pale-faced,
bearing a glass coffin,

clear as vodka.

 

originally published on September 14th, 2015 on my old blog. 

Departure

Remember when we were young,
we used to run wild in the fields,
easy footsteps caressing
the wrinkled brows of ancient hills.
We were dancing fairies
that made the whole forest sing.
The days were unhurried
and evenly pink.

Then one day you began
talking about a life elsewhere, a place
without metaphorical flowers or bread,
where you could sweat and tread
in your new sails and moccasins. You left me
half-hearted kisses
and bouquets of teary tulips.
Yellow petals fell, as soon as you were gone,
headlong into the ground. Those hopeless little faces
buried themselves in earth,
like obstinate ostriches, hiding
from unstoppable truths, capable
of neither running away
nor being saved.

At sunrise, trees bent down to lend shadows
to creatures who were fearful of their own.
In this world I marched alone
with a book of vacated love
and an undulating heart
that overturned ships
with each turning page.

Only with bruised lips and confessions could I remain constant.
I rid my body of metaphors you detested – romantic notions that
turned rivers into music,
and withering roses into unrequited love –
so that one day you could return
and kiss my hardened, concrete flesh.

Only with hollow bones and desolate passions could I remain constant
among this foliage of absences and
you and I and solitary stars.
At sundown, the world is devoured by her own shadow, whole
and complete.

Years later, I lay under the twilight of fading memories.
Children run across the wrinkled brows of my ancient breasts. My soul
is a bottle of dried laments.
Through half-opened eyes, I see you standing at the very beginning,
a hand in mine, brown eyes, a surge of delight.
Have you come back to say goodbye, my beloved?
This voyage, already so long, expanding into this incessant night,
is about to come to an end as I
gracefully close my eyes.

 

originally published on September 5, 2015 on my old blog